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- š½ļø 18% Growth From a 45° Nudge...How One Brand Changed Customer Perception With 1 Ad
š½ļø 18% Growth From a 45° Nudge...How One Brand Changed Customer Perception With 1 Ad
While digging deep into the corners of the behavior science internet this week, I found a case study of an advertising campaign Iāve never heard of, for a brand Iāve never seen that was so successful, people were buying their product, jacking up the price and reselling it on Ebay. š¤Æ
Diamond Shreddies was a Canadian cereal that sold the same exact square wheat pillows your grandpa ate for a few years, but eventually stagnated in the market.
Their parent company (Kraft) needed to reinvigorate people towards their product, so they did the smart thing and hired a behavior science expert (Ogilvy Toronto) to try and figure out how to restart the sales engine without spending a dime on product, delivery, or changing their marketing budget.
While inside the initial brainstorm, a wildly smart (or maybe just super observant) intern at Ogilvy noticed: āthis cereal isnāt a square, itās a diamond.ā
I think at this point most of the C-Suite team would have rolled their eyes and told this kid to: āgo pick up coffee, itās gonna be a long nightā¦ā but luckily this team was smart. They didnāt laugh at this seemingly obvious observation, they took notes (and later hired the intern.)
Ogilvy went back to Kraft and told them to quietly rotate the product photo on the box by 45 degrees (to make the square cereal a diamond), and reship the thing.

This sounds ridiculous (people arenāt stupid, right? Theyāre gonna know, right?!?!).
But oh my god hereās what happenedā¦
After running ads featuring the 18 degree rotated picture for a few weeks, Kraft reported an 18%+ market share increase. 𤯠Sales poured in and Ogilvy/Kraft won a pile of awards for āadvertising effectiveness,ā not just cleverness.
Real-world shoppers were so in love with the ādiamondā concept, they were auctioning ālimited editionā boxes on eBay.
This advertising campaign was so effective, Kraft started shipping new, ālimited editionā packaging within weeks, launched TV and web focus-group films, and even created a ācombo packā (half āsquares,ā half ādiamondsā) that invited the public to pick a side. š¤£
To be clear here: these ads framed the exact same cereal as āan angular upgrade.ā The internet did the rest.
Ogilvy/Kraft didnāt have to change the product at all; they just changed the frame of reference. (Iām not even kidding, this effect was so powerful, consumers reported the ādiamondā shaped cereal tasted betterā¦even though it was the same damn cereal! )
And thatās the while pointā¦
Nothing āmagicalā happened inside the cereal factory, what changed was the mental model people used to evaluate the product they were already consuming. A tiny, almost silly shift in presentation altered expectation, and that altered expectation changed perception, and that changed behavior. In other words: we didnāt upgrade the cereal; we upgraded the context people judged it in.
When context moves, meaning moves. When meaning moves, money moves.
But (and this is the part you have to respect if you want this kind of lift without backlash) this effect canāt happen randomly.
Ogilvy carefully engineered the collision of a few reliable human tendencies, such as:
How our brains lean on shortcuts when judging familiar products.
How we pay attention when a pattern breaks just enough to feel novel but not enough to feel risky
How identity sneaks into even the most mundane decisions
And how a playful ādebateā gives the internet something to do besides scroll past you.
If you understand those levers, you can reproduce the outcome responsibly, transparently, and (best of all) repeatably. (For anyone who wants to go down this rabbit hole with me, hereās the case study + brand artifacts from this campaign!)
Before we talk execution, letās dive into the mechanics of all this, because the psychology is fascinating.
Hereās why this works (so you can do it too):
Why it worked (the psychology in plain English)
Framing Effect
First, remember that humans donāt judge things in isolation; they judge things relative to the story wrapped around the thing.
āSquareā kind of reads generic/old; but ādiamondā reads upgraded/special.
Same product. Different meaning. Frame shifts tweak expectation ā expectation tweaks perception ā perception nudges behavior. Once you feel the āupgrade,ā you act like itās upgraded. (The reported +18% lift didnāt come from fiber content; it came from changing the meaning.)Expectation Violation
Second, we gotta note that any tiny twist that breaks pattern resets all attention (and Iām not talking about hooks here, thatās basic-level marketing).
In categories with decades of āweāre made with whole grainsā wallpaper, humor + incongruity buy back mental availability (Iām looking at YOU, skincare, someone please run something other than, ābe your best self!ā).Identity Play
Next, know that anything stated as a āDiamondā smuggles in micro-status to the brain.
Diamonds are not only forever (for the most part), but theyāre also associated heavily with status.
Transferring from āitās a squareā to ājk itās a diamondā feels like youāre in on the joke, and that social wink is part of what youāre buying. Identity > ingredient, especially in mature categories. (Note the limited packaging run and people literally trading boxesā¦status rituals, even silly ones, travel far.)Conversational Fuel > Claim
Finally, itās important to know that they sold a debate before they tried to sell the product.
Squares vs. diamonds.
Same cereal, different teams. That gives social objects (comments, stitches, duets) something playful to orbit, which earned more reach than repeating another ānow crunchier!ā RTB.
Micro-teardown of the creative system (so you can rebuild it for your brand)
They used a visual device: a 45° rotation was specifically chosen because a five-year-old could understand it. (Your visual āmoveā must be that simple. If it needs a white paper, itās not a reframe, itās homework.)
They named it: Itās as simple as that. Naming the new upgrade to āDiamondā = upgraded schema without lying. Itās still a square (duh), just reframed. Your name swap should be unmistakably true in one dimension and provocatively ānewā in another.
They used something called a ānarrative deviceā to explain it: they literally ran ads with a faux focus group so we could all watch them ādiscoveringā the ānewā product. Why? Because watching someoneās expectation get violated lets the viewer experience the same dopamine safely. š
They spoke their product truth with conviction: there was zero formulation change here. They simply said: āwe made it a diamondā and left it at that. Thatās the elegance: same molecules, new meaning.
They didnāt wait to make sure they were right: because this was Kraft weāre talking about here, I think it goes without saying that there was probably a TON of red tape they had to go through to get this concept to market, so I donāt want to hear anyone saying, āthatās gonna be too hard for us.ā š Hook with an absurd premise; play it straight; let the audience argue in the comments so you can learn from there.
They made a massive merch move: Once people started grabbing on to the concept, Kraft launched limited packaging to make the joke tactile, collectible, and scarce.
āOkay Sarah, but how do we do this without looking like an idiot?ā
Great question, I would love to answer this for you. š We do this by building reframes that are (1) transparent, (2) testable, and (3) reversible. No gaslighting people into purchasing, no brittle positioning, no expensive ops debt.
Hereās how to do this for your brand (step-by-step):
Step 1 ā Map your unchanged truth
List three things you refuse to change in the next 60 days (formulation, SKU mix, supply chain). These are your guardrails. Reframing works because it accepts constraints and gets creative anyway.
Step 2 ā Choose a single expectation to challenge
Pick one characteristic (angle, name, context, sequence) you can flip without lying. Youāre not inventing a feature here, youāre just re-labeling a perspective. Examples:
Coffee: āDark roastā vs. āMidnight Mode.ā
Supplements: āDaily multivitaminā vs. āBaseline Stack.ā
Cosmetics: āMatte finishā vs. āStudio-Matte.ā
Kitchen tools: āStainless steelā vs. āChef-Grade Steel.ā
Step 3 ā Decide your playful tension
What ātwo teamsā can you create that people will joyfully debate? (This matters more than you think; arguments drive comments; comments drive reach.)
Powder vs. Pods (supplements)
Handle vs. Handle-less (mugs)
Desk vs. Travel (organizers)
Spoon vs. Spork (camping gear)
Matte vs. Glow (cosmetics)
Craft a campaign like this, and youāre no longer just āpersuading someone to buyāā¦youāre conducting a social experiment in perception and allowing people to join in on the fun.
The real magic of Diamond Shreddies wasnāt the cereal at all, it was the mirror it held up to consumers. It revealed how fragile and flexible our sense of ānewā really is. People donāt buy products really; they just buy meaning. And as marketersā¦we get to decide what things mean to the people who need our products.
So, the next time youāre tempted to pour money into another flavor, SKU, or influencer deal, ask yourself:
What if the most powerful upgrade isnāt in the product at all, but in the story people use to judge it?
The goal isnāt to trick your audience. Itās to show them something theyāve stopped seeing. To make the familiar feel fresh again. To rotate the product 45° and remind them that even the oldest ideas can sparkle when you change the angle of light.
Because when you do it right, the cereal doesnāt change.
The consumer does.
TLDR; Perception is a growth channelā¦not just a new coat of paint.
Diamond Shreddies proved it: you donāt always need to persuade harder or educate longer to move behavior. Sometimes you just need to show the cereal on its sideā¦and watch the numbers follow.
Inside Tether Lab (Skool), we turn that principle into a repeatable system:
Weekly Funnel Clinics & Q&A: Bring a live ad/account problem; leave with reframes you can test this week.
Psychology-Backed Prompts & Templates: Frame words, edition badges, ātwo-teamā debate scripts, LP H1 swapsācopy, paste, ship.
Creative Teardowns (Diamond-Style): We rotate your āsquareā offers 45° and build low-cost experiments (ads + LP continuity) that you can run in 48 hours.
Metrics, Not Vibes: CTR/ATC/CVR guardrails, conversion-lift basics, and post-mortems so the wins stick and the misses teach.
If you want to practice the ā$0 reframe, measurable liftā move with a room full of operators who speak ROAS and psychology, this is where we do it!
Come learn how to bend perception to grow faster. Join Tether Lab on Skool.
Until next week,
š¦ Sarah

šØ Dexās Trend Alert: Weird Reaction Pics = The Return of Emotional Currency
Searches for āweird reaction picsā are up 10,000%+ year-over-year ā proof that the internetās emotional language is mutating again.
What used to be snappy text replies (āmood,ā āsameā) is now replaced by cursed JPEGs that speak in facial expressions, not fonts.
Apparently, weāve moved from posting thoughts ā posting vibes ā posting faces that say what words canāt.

š The Signal: Emotion Is Going Visual Again
ā Reaction pics are the new punctuation marks.
ā Theyāre bite-sized empathyācheap, fast, and universal.
ā The weirder they are, the more they feel true (because blended/awkward emotion is often the most honest emotion).
This isnāt about memes. Itās about emotion compression:
One image = 1,000 micro feelings.
They work across languages, age groups, and algorithms.

š§ The Diagnosis: Weāre All Craving Visible Emotion
In an era of AI-perfect everything, weird faces feel real.
They carry texture, humanity, and imperfection.
Identity signal: āI still have feelings, even if the algorithm doesnāt.ā
Psychological mirroring: Viewers see their own discomfort and laugh instead of scroll.
Cultural relief valve: Expressing emotion through absurdity keeps it safe and funny.
š How to Capitalize:
šļø For DTC Brands
Use faces, not features.
ā Swap ālifestyle smilesā for unfiltered, mid-emotion shots.
ā Add a āreaction momentā frame in UGCsāshow the response not the product.
ā Make emotion a design layer (packaging faces, emoji codes, expression textures).
š„ For Creators & Media Buyers
ā Lean into āface as hook.ā The scroll stops where emotion starts.
ā Use weird, dissonant reaction clips to punctuate editsāmicro meme storytelling.
ā Remix your own ad comments into reaction compilations.
š§ For Strategists
ā Emotional bandwidth is shrinking.
ā A single expressive face can convey more relatability than 30 seconds of scripted copy.
ā Stop asking āwhatās the message?ā and start asking āwhatās the emotion payload?ā
š” Pro Move:
Build a āReaction Libraryā for your brandāfaces, gestures, sounds, micro-moments you can remix endlessly. Train your UGC creators to deliver emotion packs, not talking points.
Until next timeā
Stay curious, stay weird, and remember:
If theyāre searching āweird reaction picsāā¦
theyāre not trying to find memes.
Theyāre trying to feel something real again.
š¦ Dex